Billie Eilish All Good Girls Go Tohell Album Art
"All the Good Girls Get to Hell" | ||||
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Single by Billie Eilish | ||||
from the album When We All Autumn Asleep, Where Practise We Become? | ||||
Written | 2016–2018 | |||
Released | September 6, 2019 (2019-09-06) | |||
Genre | Popular | |||
Length | ii:48 | |||
Characterization |
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Songwriter(s) |
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Producer(s) | Finneas O'Connell | |||
Billie Eilish singles chronology | ||||
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Music video | ||||
"All the Good Girls Go to Hell" on YouTube | ||||
"All the Good Girls Go to Hell" (stylized in all lowercase) is a vocal by American vocaliser Billie Eilish from her debut studio album, When Nosotros All Fall Comatose, Where Do We Become? (2019). The song was written by Eilish and her brother Finneas O'Connell, while the latter solely handled the production. Information technology was released by Darkroom and Interscope Records on September 6, 2019, as the sixth single from the album.
A pop track, "All the Practiced Girls Go to Hell" sees Eilish sing about climatic change and take the point-of-view of the Devil and God who antagonize the human race for destroying the earth. The song received generally favorable reviews from music critics, with many praising the lyrics and production. Information technology entered at number 46 on the US Billboard Hot 100 and number 77 on the UK Singles Chart. Internationally, the song has peaked within the top five of four countries. The song has received several certifications, including being certified platinum in the U.s.a. by the Recording Manufacture Association of America (RIAA).
The accompanying music video was directed by Rich Lee and uploaded to Eilish's YouTube channel on September 4, 2019. It sees Eilish walk downwards a deserted route, completely covered in oil, as flames erupt around her. The video received positive reviews, with critics praising the visual'southward message nigh climate change. Eilish has promoted "All the Adept Girls Go to Hell" by performing it live at festivals, including the Coachella Valley Music and Arts Festival (2019), and Glastonbury Festival (2019) as well as during Eilish's When Nosotros All Fall Asleep Tour (2019) and Where Practise We Go? World Tour (2020).
Background and release [edit]
In an interview with Vulture, Eilish's blood brother Finneas O'Connell, known under his phase name of Finneas, said the vocal'south lyrics are about climate change, God, and the Devil, as well every bit "the idea that humans accept made such a mess of the planet at this bespeak that they're both talking to each other like, 'What's going on? Why did they do all of this?'"[1] Elaborating on this in an interview with MTV, Finneas said he and Eilish thought it would be fun to write a vocal from the perspective of the devil or god, who would be looking down at humans and be disappointed in them for destroying the Earth. He continued, saying them looking down is a issue to humans for their deportment.[2] Eilish told Howard Stern during an interview on The Howard Stern Show that the chorus to "All the Good Girls Go to Hell" was written in 2016, while the residual was written and recorded in 2018.[iii]
Eilish shared an Instagram story on March 25, 2020, that featured a playlist of her inspirations for the rail, maxim "You Should Come across Me in a Crown", "My Foreign Addiction", and "All the Good Girls Become to Hell" kind of "inspired themselves".[4] In April 2020, during a l-minute Verizon livestream, Eilish explained the meaning of "All the Practiced Girls Go to Hell": "The deeper meaning of the song is most global warming and climate strike and what's actually important. This song is about the world and trying to salvage it, and people not believing that it needs to be saved."[5]
"All the Adept Girls Go to Hell" was written by Eilish and Finneas, with the latter handling production.[6] The song was mastered by John Greenham and mixed by Rob Kinelski, both of whom besides served every bit studio personnel.[6] "All the Good Girls Go to Hell" was released on Eilish's debut studio album When Nosotros All Fall Asleep, Where Exercise We Become?, as the fifth track on March 29, 2019.[seven] The song was later released as the album'southward 6th single on September 6, 2019, accompanyied past a music video release.[8] Additionally, Universal Music Grouping sent it to Italian contemporary hitting radio format the same mean solar day.[9] In early October, the track impacted American alternative and mainstream radios.[10] [11] A flexi disc and cassette for the vocal were released via pre-order to ship in the following iv-to-six weeks. The releases came with a digital single that was delivered to customers in the United states through email.[12] [xiii]
Composition and lyrics [edit]
"All the Good Girls Go to Hell" was described as a pop rails by music critics.[14] [xv] Neil Z. Immature of AllMusic noted the vocal's "playful bass strum" that manages to "pull some G-funk furnishings into its orbit",[sixteen] while Robert Christgau of Vice magazine mentioned the song features "plinked piano".[17] The staff of NME commented that "All The Expert Girls Become To Hell" is "powered past brilliant pianos, off-the-wall synths and bass from Finneas in the second verse",[15] and Jason Lipshutz of Billboard said Eilish'due south "stuttering words nigh death and desire lilt over the dripping beats of the propulsive".[18] Chris Darville of Stereogum mentioned the song is "congenital around the oft-recycled notion that eternal damnation must be a much more interesting destination than boredom behind the pearly gates."[14]
Lyrically, the vocal sees Eilish abdicate heaven for hell: "My Match is lone."[19] She mocks and walks away from heaven, proverb: "Pearly gates [that] look more like a picket fence" and turning towards the nighttime side.[nineteen] Eilish also references Saint Peter, who is the keeper of the gates to sky.[twenty] "All the Good Girls Get to Hell" references Catholicism, with Eilish explaining that her degeneracies will go unpunished by the saints since "Peter's on vacation, an open invitation."[xix] Tanis Smither of Earmilk stated Eilish manages to "satirize both fame and the American dream equally well as chastise adults twice and three times her age for climate change, noting that she quips: 'Homo is such a fool, why are we saving him?'"[20] The lyrics also brand explicit reference to body of water level ascent and wildfires in California, both of which are linked to climate modify.[21]
Critical reception [edit]
"All the Good Girls Go to Hell" has received mainly positive reviews from music critics. Madeline Roth of MTV described the song equally a "jaunty, stuttering jewel".[ii] Jon Pareles from The New York Times viewed the song equally a "mocking, music-hall" track.[22] Kenneth Womack of Salon mag labeled the track every bit "playful".[23] Christopher Thiessen from Outcome of Audio named "All the Good Girls Go to Hell" i of the essential tracks on When Nosotros All Fall Asleep, Where Practice We Go? and chosen it a "banger".[24] Roisin O'Connor, in his review for The Independent, had negative thoughts for the album'south offset four tracks, saying information technology "takes until runway 5 – 'All the Good Girls Go to Hell' – for the album to assemble whatsoever kind of momentum".[25] In Clash, Yasmin Cowan described the song's title as "misleading" and "genius".[26] musicOMH writer John Spud stated that Eilish'due south rails "Xanny" has an "appropriately narcotic haze [that] makes you yearn for the party anthems like 'All The Adept Girls Go To Hell'".[27] In 2020, The New York Times listed the vocal in their summit x list of songs about climate change.[21]
Writing for NME, Thomas Smith commended the song's chorus, saying information technology proves to exist a "sparkling gem with jaunty piano and stuttering beats".[28] David Opie of Highsnobiety wrote that "All the Proficient Girls Get to Hell" is "full of subversive lyrics that slither across the beat".[29] Sean Ward, for The Line of Best Fit, compared the song to the Spice Girls "Say You'll Exist There" (1996), and interpreted it as being a "haunted" version of the latter. He farther noted Eilish'southward distorted vocals "whispering the ungodly claw of 'my Lucifer is lonely'" and that she "flips so effortlessly between religious metaphor and human relationship disputes, using the two to enhance the track's overall narrative".[30]
Insider 'due south Libby Torres described it every bit an "absolute gem", saying that "Eilish's invitation to come and join her and her friends in hell sounds pretty damn highly-seasoned".[19] Jules LeFevre, writing Junkee magazine, placed the song at number sixteen on her Every Billie Eilish Song Ranked From Worst To All-time list, saying the "dark Christian imagery fits Eilish's aesthetic similar a black glove" while commenting that the vocal is "let downward slightly by the lack of differentiation in rhythm and melody", leaving you "hoping that something would elevator information technology off the ground, but it never happens".[31]
Commercial functioning [edit]
Post-obit the release of When We All Autumn Comatose, Where Practice We Go?, "All the Skilful Girls Become to Hell" debuted and peaked at number 46 on the United states of america Billboard Hot 100.[32] At the same fourth dimension, Eilish bankrupt the record of most simultaneous Hot 100 entries for a female creative person.[33] Post-obit its release as a radio single, the song reached number 20 on the US Billboard Mainstream Top xl nautical chart and number fifteen on the U.s. Rock Airplay nautical chart.[34] [35] It has been certified platinum by the Recording Industry Clan of America (RIAA), denoting rail-equivalent sales of ane,000,000 units in the US based on sales and streams.[36]
On the Canadian Hot 100, "All the Adept Girls Go to Hell" peaked at number xix, and information technology was certified platinum past Music Canada (MC) for shipments of over lxxx,000 copies in Canada.[37] [38] Later its release every bit a unmarried, the vocal peaked at number 77 on the Great britain Singles Chart.[39] It was later certified gilt by the British Phonographic Industry (BPI) for selling over 400,000 units in the Uk.[forty] "All the Good Girls Get to Hell" has peaked inside the top x in Australia,[41] Greece,[42] and New Zealand.[43] It has further peaked within the pinnacle five in Latvia,[44] Lithuania,[45] Slovakia,[46] and Estonia.[47] The song was ultimately certified gold by the Recorded Music NZ (RMNZ) for shipments of over fifteen,000 copies in New Zealand.[48]
Music video [edit]
Background [edit]
Eilish teased a music video for "All the Skilful Girls Become to Hell" with a clip of an image that said "haven't you been waiting long enough?" in September 2019.[49] Her final teaser told people who were in New York to head to Times Square and check the screens at four:00 pm.[49] The music video was released through Eilish's YouTube channel the following twenty-four hours.[50] It was directed past Rich Lee and filmed in Los Angeles, California.[51] [52] In an Instagram post, the video's stylist talked about the filming and how it was difficult.[53] She revealed that Eilish "suffered profoundly for this dazzler, hanging off a crane and dragging 25 pes long wings saturated in black slime weighing much more than her in agonizingly long takes".[53] The stylist farther added that Eilish thought of the concept and put in a lot of attempt to fully sympathise information technology.[53]
Elle Hunt of The Guardian noted that a closer inspection of the lyrics suggests that the song (and by extension, the music video) references global warming, and Eilish herself alluded to this by posting a personal annotation in the video clarification rallying her fans to attend global climate strikes on September 20 and 27, 3 days before the 2019 UN Climate Summit in New York City, while also asking them to support Greta Thunberg'southward Climate Strike.[54] Eilish said: "There are millions of people all over the world begging our leaders to pay attending. Our earth is warming up at an unprecedented rate, icecaps are melting, our oceans are rising, our wild fauna is being poisoned and our forests are called-for."[51] [55] In September 2020, Eilish announced an "All the Good Girls Go to Hell" figure that measured six inches alpine, and was affixed with giant demon wings. Her website explained the figure was in "eco-friendly" packaging that also "transforms into a dioramic display".[56]
Synopsis [edit]
The music video picks upwardly where "Bury a Friend" left off, opening with a shot of syringes beingness used to stab Eilish'due south back by a team of medical workers.[57] [58] She sprouts a pair of behemothic white wings from her back.[8] [59] When attempting to fly, Eilish falls down from the heaven and lands on Earth into a huge oil spill, symbolizing the threat of wildlife being destroyed when humans pollute the environment.[52] [59] [60] She gets stuck, with her white wings and optics starting to fill with oil as she struggles to crawl out of the pit.[sixty]
She tries to pause gratis from the oil, but struggles to do and so.[8] [59] She barely manages to escape from the oil spill and emerges, with her entire torso and white wings beingness now covered with the black oil.[59] Eilish stares in disbelief at the world and starts to walk towards a dimly lit, deserted dirt road equally her transformation continues.[57] [61] Every bit Eilish continues to walk down the road, she begins to exit a trail of oil on the basis, which before long begins take hold of on fire.[57] Her now black wings too get assail fire.[61] Eilish notwithstanding continues to aimlessly stumble down the route and towards the camera.[62] She frowns at the photographic camera and turns around; her wings are now burnt and begin to twitch. The burn continues to spread throughout the area.[62] Silhouettes of women trip the light fantastic in the fires around Eilish, representing people who don't care about global warming, as she walks solitary into the nighttime.[57] [61]
Reception [edit]
Uproxx's Derrick Rossignol wrote that the visual is "full of fire and darkness".[63] Lauren Rearick, writing for Teen Faddy, said it "might but rival the trailer for It Affiliate Two as the virtually terrifying thing we've laid eyes."[61] Brittany Spanos of Rolling Stone described the visual equally "fiery",[8] while both Trey Alston of MTV and Carolyn Twersky of Seventeen called it "creepy".[62] In his review for Culling Press, Alex Darus viewed the video as "pretty trippy".[49] Writing for Hot Press, Selina Juengling labeled information technology as "spooky", "dark", and "out of this world".[64] Hurry 's Marenah Dobin stated the video is "more than than just a music video".[59] Brock Thiessen of Exclaim! wrote that the visual is "incredibly dark".[65] Elite Daily 's Sade Spence called it "weird" and "eerie", while praising the music video every bit a "perfectly night visual of the hellish lyrics that seem to talk about human's inability to human action right".[66] Katrina Nattress of iHeartRadio described the video as "nightmarish".[67] The music video was nominated at the 2020 MTV Video Music Awards for the awards of Best Cinematography, Best Visual Affects, and Video For Good.[68]
Credits and personnel [edit]
Credits adjusted from Promonews.[69]
Production companies [edit]
- Drive Studios – production visitor
- Exile Edit – post production company
- Sound Brigade – sound mix
Personnel [edit]
- Rich Lee – managing director
- Michael Angelos – producer
- Justin Diener – executive producer
- Michael Shores – postal service producer
- Christopher Probst – manager of photography
- Brandon Mendez – product manager
- Dennis Ivarsson – gaffer
- Kaiyoti Pesante – fundamental grip
- Christian Corio – set decorater
- Robbie Duncan – props
- Samantha Burkhart – stylist
- Tammy Yi – hair stylist
- Rob Rumsey – make-up stylist
- Hanny Eisen – makeup FX
- Ari Robbins – steadicam
- Rich Lee – VFX supervisor
- Louise Lee – VFX team member
- Anika Morris – VFX team member
- Jean Delauney – VFX team member
- Casey Benn – VFX squad member
- Clark Jackson – VFX team member
- Sean Struble – VFX team member
- Ben Thronburgh – VFX squad member
- Grant Surmi – editor
- Dustin Zimmerman – edit banana
- Christopher Probst – colorist
- Jevon Dismuke – fix dresser
- Lelan Berner – fly fabrication
- Brittani McNeal – contact lens tech
- Craig Rosales – water feature
- Rene Diamante – pyro
- Chris Moore – flame creative person
- Chris deChristo – flame artist
Live performances and other usage [edit]
To promote "All the Proficient Girls Go to Hell", Eilish performed it at the Coachella Valley Music and Arts Festival in Apr,[seventy] at the Glastonbury Festival in June,[71] and at Pukkelpop in August 2019.[72] The song was included on the setlist of Eilish's 2019 When Nosotros All Autumn Asleep Tour.[73] In September 2019, Eilish and Finneas performed the song on The Howard Stern Show.[iii] She performed the song at the American Music Awards of 2019 on November 24, making her first ever award show performance. The singer started out seated, whispering the song's intro as Finneas played piano. Finneas laterswitched to playing bass guitar equally Eilish jumped upward and danced around the stage, confronting a background of flames. Every bit the functioning ended, Eilish stared into the camera and stuck her tongue out equally the stage was devoured past flames.[74] Eilish released an acoustic version of "All the Good Girls Go to Hell" as part of her live anthology Live at Third Man Records on Dec 6, 2019.[75] In the same month, Eilish performed "All the Skilful Girls Go to Hell" at the Steve Jobs Theater for the first annual Apple Music Awards after she won artist of the year.[76] The track was also included on the setlist of her 2020 Where Do We Go? World Tour.[77] In Apr of that year, Eilish and Finneas performed the song during the 50-minute Verizon livestream.[78] The song is used in the trailer for the 2019 film Saint Maud,[79] and is featured in the 2020 rhythm game Just Dance 2021.
Credits and personnel [edit]
Credits adapted from Tidal and the liner notes of When Nosotros All Fall Comatose, Where Exercise We Go?.[half-dozen] [80]
- Billie Eilish – vocals, songwriter
- Finneas O'Connell – bass, pianoforte, drum programming, synthesizers, producer, songwriter
- John Greenham – mastering engineer, studio personnel
- Rob Kinelski – mixer, studio personnel
- Casey Cuayo – assistant mixer, studio personnel
Charts [edit]
Certifications [edit]
Release history [edit]
References [edit]
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{{cite AV media notes}}
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Source: https://en.wikipedia.org/wiki/All_the_Good_Girls_Go_to_Hell
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